Susan Sarandon on Her UK Stage Debut in 'Mary Page Marlowe'
Veteran actress Susan Sarandon, at the age of 79, has gracefully stepped onto the British stage for the first time, participating in the thought-provoking play 'Mary Page Marlowe' at the esteemed Old Vic. Her understated entry into this ensemble production reflects a humble dedication to her craft, a quality that has defined her illustrious career. The play itself presents a unique narrative structure, charting a woman's life through 11 non-linear scenes, portrayed by a collective of talented actresses, each embodying different stages of Mary's journey. This innovative approach offers a profound exploration of identity, memory, and the evolving nature of self, a theme that resonates deeply with Sarandon and her co-stars. The collaborative spirit among the cast, including Andrea Riseborough, Rosy McEwen, Eleanor Worthington Cox, and Alisha Weir, underscores the play's emphasis on shared experience and artistic connection.
Sarandon's decision to embark on her UK stage debut came at a pivotal moment in her career. Following her outspoken support for Palestine, which led to her being dropped by her US agency and having projects withdrawn, she found a welcoming and supportive environment in the British theatre scene. This unexpected turn allowed her to explore new creative avenues and collaborate with artists who value artistic integrity above all else. Her comfort and sense of belonging in the UK have been palpable, enabling her to deliver a naturalistic and warmly received performance as the older Mary in 'Mary Page Marlowe'.
The play's structure, which presents Mary's life out of chronological order, allows the audience to witness outcomes before understanding their causes, mirroring the complexities of human existence. Sarandon notes how this approach highlights 'the tragedy of who we are now as opposed to who we thought we would be.' Her co-star, Andrea Riseborough, emphasizes that this non-sequential storytelling is reminiscent of film work, but the theatrical setting fosters a deeper connection among the actors, allowing them to collectively piece together the vast narrative of Mary's life.
A delightful anecdote from rehearsals reveals Sarandon's unique method for fostering unity among the cast: a shared perfume. She proposed that all actresses playing Mary wear the same scent, a ritual she has maintained throughout her career. This olfactory anchor helps the actresses transition into character, creating a subtle yet powerful link between the different portrayals of Mary. Eleanor Worthington Cox, who plays Mary at a younger age, describes it as a 'comforting anchor,' helping her shed her own persona and embrace Mary's.
Despite her extensive experience in film, Sarandon admits to pre-show jitters, particularly given the historical significance of the Old Vic. Her initial apprehension, however, quickly gave way to a sense of camaraderie and mutual support among the cast. Rosy McEwen, who portrays Mary in her late twenties and mid-thirties, praises Sarandon's magnificent presence and her integral role within the ensemble. The shared experience of embodying the same character, often across different stages of life, has created a unique bond among the actresses, enriching their performances and deepening their understanding of the human condition.
The production also serves as an unexpected reunion for some of the cast members. Andrea Riseborough and Alisha Weir, who worked together on the film adaptation of 'Matilda the Musical,' found themselves collaborating again alongside Eleanor Worthington Cox, who had previously starred as Matilda on stage. This intergenerational connection, born from a shared artistic lineage, adds another layer of depth to the 'Mary Page Marlowe' production, highlighting the cyclical nature of creative collaboration and the enduring impact of mentorship within the performing arts. The collective spirit and dedication to honesty in their performances are evident, creating a moving and authentic experience for the audience.